Cinema of Peru
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|Cinema of Peru|
|No. of screens||388 (2011)|
|• Per capita||1.5 per 100,000 (2011)|
|Number of admissions (2011)|
|National films||232,657 (0.8%)|
|Gross box office|
|Total||PEN 285 million|
|National films||PEN 2.11 million (0.7%)|
|This article is part of a series on the|
|Culture of Peru|
While the Peruvian film industry has not been nearly as prolific as that of some other Latin American countries, such as Mexico or Argentina, some Peruvian movies produced enjoyed regional success. Historically, the cinema of Peru began in Iquitos in 1932 by Antonio Wong Rengifo (with a momentous, initial film billboard from 1900) because the rubber boom and the intense arrival of foreigners with technology to the city, and thus continued an extensive, unique filmography, with a different style than the films made in the capital, Lima.
In Lima, the first Peruvian sound film (with synchronized music and some talking sequences) was Alberto Santana's Resaca, which was released in 1934. This was followed by another sound film entitled Cosas de la vida in 1934. The first all-talking picture, Buscando Olvido, was finally released in 1936.
More recently some bestselling novels by Peruvian author and talk show host Jaime Bayly, including No se lo Digas a Nadie and La Mujer de mi Hermano, have been made into movies. In fact, Francisco Jose Lombardi, perhaps the most important Peruvian filmmaker of recent years, has made most of his films from adaptations of important Peruvian novels. Peru also produced the first animated 3-D film in Latin America, Piratas en el Callao. This film is set in the historical port city of Callao, which during colonial times had to defend itself against attacks by Dutch and British privateers seeking to undercut Spain's trade with its colonies. The film was produced by the Peruvian company Alpamayo Entertainment, which made a second 3-D film one year later: Dragones: Destino de Fuego.
In February 2006, the film Madeinusa, produced as a joint venture between Peru and Spain and directed by Claudia Llosa, was set in an imaginary Andean village and describes the stagnating life of Madeinusa performed by Magaly Solier and the traumas of post-civil war Peru.
Llosa, who shared elements of Gabriel García Márquez's magic realism, won an award at the Rotterdam Film Festival. Llosa's second feature, The Milk of Sorrow ("La Teta Asustada"), was nominated for the 82nd Academy Awards for Best Foreign Language Picture, the first Peruvian film in the Academy's history to be nominated. The Milk of Sorrow ("La Teta Asustada"), won the Golden Bear award at the 2009 Berlinale.
More recently, on April 11, 2013, The film Asu Mare premiered nationwide. This film is an adaptation of a stand up comedy starring Carlos Alcantara. The film is actually an autobiography, in which Carlos Alcantara tells his life story and how he became the actor he is today. The film was written and produced by Carlos Alcantara and was a huge box-office hit. Since the release, the actor has gained a lot of popularity.
- "Table 8: Cinema Infrastructure - Capacity". UNESCO Institute for Statistics. Retrieved 5 November 2013.
- "Table 11: Exhibition - Admissions & Gross Box Office (GBO)". UNESCO Institute for Statistics. Retrieved 5 November 2013.
- Herrera Soria, Raul. "IQUITOS UNA DE LAS PRIMERAS CIUDADES QUE HIZO CINE EN EL PERÚ". Amazónico del Perú. Retrieved 23 May 2012.
- García, Joaquín. "RASGOS HISTÓRICOS DEL CINE EN IQUITOS Y EN LA REGIÓN AMAZÓNICA DEL PERU DESDE LOS ORIGENES HASTA 1990". CETA. Archived from the original on 11 August 2014. Retrieved 23 May 2012.